Jurors Choice Award - "COMBINES 11" by Robert TreatJurors Choice Award
COMBINES 11 Robert Treat
Media: Cyanotype Size: 19" x 24" Price: NFS
STATEMENT COMBINES As I mature as an artist, the idea of 'process' is becoming more and more important. Sometimes, more than the product itself. My image making is a combination of photography, printmaking, and painting. By removing myself from the sometimes tedious exactness normally dictated through these mediums, I find myself embracing the Japanese concept of Wabi Sabi.... finding beauty in accidents or mistakes. I've always been torn between secure formal structure versus freeform gestural spontaneity. In this body of work, by using cyanotype, I've decided to combine the two elements by juxtaposing gestural demarcations resting within a structural grid of squares. The squares themselves are small individual cyanotypes. Some are drawn on, some have imagery made from masks, and some are just color fields from different cyanotype solutions. These squares are manipulated and juggled about, then assembled, not unlike a jigsaw puzzle, to form a larger grid pattern, creating relationships between the individual pieces.
BIO I was raised in Midwest suburbia with corn fields in my backyard. As a kid, I had a strong interest in fine art and architecture. It was my primary focus in high school and college and has been a major element in my life to the present day. It was in high school that photography entered my life. Darkroom work became a magical escape for me, plus eventually helped augment college expenses. Architecture, painting, and printmaking became my majors in college. With this fine art background and a little luck, some doors opened at a small film studio in Cincinnati, where we primarily created local TV commercials and industrial films. There, I got thrown into animation and film work by the “seat of my pants”. It was a lot of on-the-job training that became indispensable to me. Eventually, my professional life relocated me to LA to work as an animator and animation director in the TV and film industry. During this time, I had always thought of photography only as a tool for taking pretty pictures and documenting events. It wasn't until I had the good fortune of taking workshops with Ansel Adams and Paul Caponigro that I began looking at photography from a fine art point of view… a way of making heartfelt personal images. Even though I continued to paint, printmake, and photograph during this time, it wasn’t until an early retirement that I was able to pursue these interests more seriously. For me, photography has become a very personal and intimate event; both in the act of capturing the image and in the act of viewing it. Rather than making images of the grand landscape, I prefer to focus on small details, the ones that often go unnoticed, with the aim of, as Edward Weston once said, “transforming the ordinary into something extraordinary”. These details are usually nature-driven and devoid of people…but not necessarily devoid of human existence. It’s my way of simplifying a complicated world. Recently, I have begun to combine my love of printmaking with alternative photographic processes, including cyanotype and photogravure.
Show Dates:September 13th, 2025 – October 4th, 2025
Opening Reception& Artist Visit:September 13th, 2025 5:00pm-7:00pm
Escondido’s Arts Event 2nd Saturday:September 13th, 2025 5:00pm-7:00pm
Juror’s Statement: Aline Smithson, August 2025
It was a complete privilege to juror the 2025 Alternative Processes Exhibition for the Photographer’s Eye Collective and Gallery. I have spent the last week immersed in photographs, revisiting and reconsidering each image. It was an exciting and daunting process, and, in the end, I first selected almost 200 works…about 4 times the amount that fit on gallery walls. So, thank you for submitting excellent work and making my decisions so difficult! It was inspiring to see the range of imaginative approaches and the array of processes, such as Polymer Photogravure/Intaglio, Encaustic Photogravure, Photogram with lumen overprinting, and toned cyanotypes. Please know that this was not a cursory examination, but a long, hard look at your work.
Over the last decade, we have witnessed a return to alternative and historic processes, particularly reinvigorated during the pandemic, as life afforded us time to slow down. But the tactile approach to creating photographic art has been growing steadily over the years, in response to digital photography that removed the artist’s hand from the photographic experience. Using alternative and historical processes has allowed artists to celebrate the imperfect, to experience the physicality of photography, to embrace its unpredictability, and to create unique objects that are artful and meaningful.
The winning image by Robert Treat is a masterful combination of cyanotypes, using color and form to create something wholly new that is both art and photography. Special Mention winner Charlotte Hauksdottir continues to push the boundaries of what a photograph can be. The second Special Mention winner, Louise Russell, brings a level of excellence to her imagery and processes.
Congratulations to all the artists included in the 2025 Alternative and Historical Processes Exhibition.
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ALWAYS ON VIEW ARE WORKS BY OUR COLLECTIVE OF FIFTEEN PHOTOGRAPHERS.